A Dream of Honey: An Excerpt from Playdates with God

Below is a modified excerpt from my book, Playdates with God: Having a Childlike Faith in a Grown-up World, copyright 2014. Used with permission from Leafwood Publishers, an imprint of Abilene Christian University Press. All rights reserved.

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In mid-fall, as the goldenrod bend their heads low in the meadow behind my house—I visit the apiary.

It all started when I spoke at a ladies tea at a little country church in the valley where I live. The hostess served honey from her husband’s hives, and I was blown away. “It tastes like sweet clover,” I told her, as I sipped tea with my pinky raised. She smiled and nodded her head. This was entirely different from that syrupy stuff I buy in the bear-shaped bottle at the grocery.

Every day after that, I think about the bees. In the night, I dream of honey. When I awaken, I carry a memory of amber—a dewy sweetness on my tongue. I cannot shake the taste of it. So, I Google up local beekeepers and I talk to the state bee inspector on the phone and my father-in-law calls a friend of his who keeps bees.

“In the Bible, honey represents purity,” the Department of Agriculture’s state bee inspector tells me. “I think there must be bees in heaven,” he says.  I think about that little taste of honey from the tea and it seems to me that maybe a little piece of heaven is already here.

I read all the scriptures in my Bible about honey and I look up the original Hebrew in my concordance. The word used for honey in many of the scriptures refers to the distilled version of a watery sweetness that exists naturally. It is the refined essence of the substance—the richest part.

So. After weeks of waiting, when the goldenrod bend their heads low in the meadow behind my house, I visit the apiary. “That’s how you know the goldenrod is nectaring,” the beekeeper tells me. “The tops are so heavy they fall over.”

We walk into the apiary under a shower of walnut tree leaves. They float slowly to the ground like tiny canoes, sailing the air. I breathe in deep, thinking of honey. The farm smells like woodsmoke and decaying leaves. The sky is blue marble.

I hear the steady thrum of thousands of beating wings rise into that familiar buzz while we are still within a hundred yards of the colonies. The sound thrills me but I feel my heart begin to slow with the low resonance that emanates from the hives. He aims his smoker at the bees flying about the first hive. I watch him open the tall box-like structures and use his tools to remove one frame at a time. He lifts a frame, points out the shiny honey down in each little dimple.

The bees light haphazardly on my arms and midsection and on the veil I am wearing—they seem as curious about me as I am of them. I close my eyes and let the sound of their greeting fill—that low buzz pressing down around me. I know the smoke has made them docile, triggering them to consume as much honey as they can and slowing them down with the weight of it. They are afraid we have come to steal their golden treasure, and so they hide it the best way they know: inside their bulging abdomens.

He lets me take pictures of his bees, hunts out the queen for me to see. He is a good teacher—patient and kind. After he closes up the hives, he shows me his workshop. He makes beeswax candles and sells them. His wife has won numerous awards for baking with honey and her blue ribbons hang on the wall by the door. He teaches candlemaking classes and gives talks about beekeeping.

He tells me about how the honeybees make honey—this refining into the richest essence. He tells me how, after collecting nectar, the bees return to the hive and pass it on to other worker bees. These worker bees chew the nectar for a while allowing enzymes to break down the complex sugars in the nectar into simple sugars. This makes the nectar easier to digest as well as resistant to bacteria. The nectar is then deposited throughout the honeycombs of the hive. Here, water evaporates from it, making it a thicker syrup. The bees use their wings to fan the nectar and accelerate the thickening process. Then, the honey is sealed with a plug of wax and stored until it is eaten.

By us or them.

But listen to this.

The beekeeper tells me about the dance of the honey bee. When a bee finds a particularly lush feeding ground—a place rich with pollen or nectar—they return to the hive and by way of giving the other bees directions to this Eden…they dance. The Honey Bees dance to communicate where a good food source is. The way they dance communicates direction and distance. The distance is communicated by the shape of the dance. Direction is communicated by the angle a bee will bisect her dance with, with respect to the sun. The dance is like the face of a clock, with the sun representing twelve o’clock.  If the bee dances from six to twelve o’clock, this means to fly straight towards the sun; eight to one o’clock would mean fly just to the right of the sun; twelve to six o’clock, fly directly away from the sun.

And the honeybee is a brilliant mathematician. See, these little dances sometimes can take a long time.  So the angle of the sun will sometimes have changed during the dancing. The bee will calculate the change in angle based on where the sun is at the time of the dance.

Scientists have been amazed at how accurately the bee dance communicates where the food is. Isn’t this remarkably beautiful? So I start thinking about this dance. How this dance is the first step in the honeymaking—in the refining process. And—in our lives—isn’t the refining the conforming? This hard work of life the way He uses to make us more like Jesus? And, isn’t this God’s desire for us too—that we dance through the refining? That our lives represent the richest essence of humanity? That as we—do our work, make our art—we would dance through this refinement?

I think about the dance and how each dance is different for each bee; depending on where that bee is, what that bee desires to communicate. I wonder if conformity, in this sense, is what we look like when we join every unique part of ourselves with Jesus? This place where we are, what we desire to communicate, our work, our art—all joined as closely as we can with Jesus. We are united with him but we still retain our own unique qualities too.

Once, I read a pastor describe this type of conformity as the way his wife will conform her body to his on cold winter nights to help stay warm. This is what it means to conform to Christ, he said. To cleave to Him in thought, deed, and desire.

When I think of conformity in this way, it’s easier to imagine that each of us—while our life will be directed by God’s will as the life of Jesus was—will express this in different ways. The ways we worship, the ways we pray, the ways we bring glory to God…all will reflect the glorious variety and diversity in creation that reflects the very image of God. It is the very best of each one of us joined supernaturally with the perfection of Christ. Because our Lord is infinite, we can all look like him and yet look different from one another.

Conformed.

And yet free to embrace who we are.

Now that is something to dance about.

 

 

Happy Ending: There’s A Story Behind All Good Play

I’ll never forget how they came raffishly crashing out of the woods—bits of sticks and leaves poking out of their hair. My sister all wild-eyed and flushed. My little brother trailing dutifully behind.

“We found a man!” Chris said, eyes darting from my face to the hills behind me as if said man would appear at any moment.

“What?” I asked, not fully understanding. I had only just come outside, curious as to what my siblings were up to. My stomach twisted in disappointment at the thought of missing out on their obvious adventure. These were the things lost to me when I spent my mornings with my nose buried in a book.

My sister and brother proceeded to tell about an old hermit they stumbled upon in the woods. He lived in a giant oak tree just beyond the border of the woods, they said. Chris had talked to him for a while and the man told her his name was Hermrette. He said he didn’t much care for people; that’s why he lived in the woods—trying to get away from the prying eyes of others.

“What did he look like?” I asked her.

He was old, she said. With a long white beard. An image of Rip Van Wrinkle floated around in my mind. “Did you talk to him?” I asked my little brother. Benji suddenly looked shifty. “I just saw a little bit of him,” he said, avoiding my eyes. “I was across the creek when Chris found him.”

“But you saw him, right?” My sister prodded.

“Yeah, I think so,” Benji responded, smiling convincingly at both of his big sisters.

We were in elementary school when this grand adventure unfolded, the precise ages now fuzzy in my mind. But we’re all two years apart, so it’s likely we were five, seven, and nine. Or maybe six, eight, and ten. Who knows? We were young enough to practice expansion of belief—to open our minds wide enough to allow the possibility of the story to take root in our hearts. The story is the thing that sticks. We had our very own wood hermit, and though none of the rest of us ever saw him, he was as real to us as the trees. Many follow-up expeditions ensued, with my sister trying to retrace her steps back to Hermrette’s tree-house.

We never found him again, of course, and our young minds surmised he had moved on to another tree—chagrined at being discovered. To this day my siblings and I smile in warm remembrance of that elusive recluse.

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When I was young I found my greatest adventures in books. I couldn’t string two words together without tripping over them in conversation, but I grew up hiding behind the words of others. Tucked under the pages of books, I felt safe. Maybe this was one reason why—when I was 12 and my parents divorced— for a little while I carried my Bible with me everywhere I went. My world was falling apart, but I would cling to this: the One Thing I knew would not change. It was the first time I would read those words cover to cover—not understanding much of them, but clinging, breathing in their life. They were real. Concrete. Stories to live by.

Children know intuitively that stories help us make sense of the world. Stories have a way of opening us up to deeper truths hidden in our experiences. Children always weave a narrative around their play—whether inner or outer. It might be the tale of a wood hermit, or the girl who wants to be known as the fastest bicyclist ever, or the boy who finally scores more points than his big brother. Children use stories to name themselves; they use stories to learn about their world—to work through complex questions that are so deeply buried in their unconscious they cannot articulate them.

Isn’t this still true in our grown-up lives? Don’t we still weave our living around stories? It’s the running dialogue in our heads, the words that lead the moving toward the big goal, the idea of the happily ever after…We live out the stories we tell ourselves. This is what I tell my patients every day I see them: It matters what we say to ourselves. My field of psychology has a technique called cognitive restructuring in which we teach people to identify maladaptive thoughts and restructure them into more beneficial ones. We teach them to rewrite their internal narrative—their story.

Why is that internal narrative so important?

In an article called The Science of Storytelling: Why Telling a Story is the Most Powerful Way to Activate Our Brains, Leo Widrich says, “A story can put our whole brain to work.” He says:

If we listen to a powerpoint presentation with boring bullet points, a certain part in the brain gets activated. Scientists call this Broca’s area and Wernicke’s area. Overall, it hits our language processing parts in the brain, where we decode words into meaning. And that’s it, nothing else happens.

But when a story is added, everything changes.

“Not only are the language processing parts in our brain activated, but any other area in our brain that we would use when experiencing the events of the story are too.” (Widrich, 2012)

Chip and Dan Heath, those writing-partner brothers, call this “a kind of geographic simulation of the stories we hear.”

[W]e cannot simply visualize the story on a movie screen in our heads; we must somehow simulate it, complete with some analogue (however loose) to the spatial relationships described in the story … studies suggest there’s no such thing as a passive audience. When we hear a story, our minds move from room to room. When we hear a story, we simulate it … (Heath, 2008)

This simulation in our minds gets us ready for action. When more of our brain is drawn into the story, it reaches beyond an intellectual level…it reaches the heart. If you feel skeptical as you read this, go spend some time with the kids. The unselfconscious way they immerse themselves in pretend play will open your eyes. Stories have a way of engaging the whole self.

This reminds me of an ancient Jewish teaching story that I read in Annette Simmons’ book The Story Factor. It goes like this:

Truth, naked and cold, had been turned away from every door in the village. Her nakedness frightened the people. When Parable found her she was huddled in a corner, shivering and hungry. Taking pity on her, Parable gathered her up and took her home. There, she dressed Truth in story, warmed her and sent her out again. Clothed in story, Truth knocked again at the villagers’ doors and was readily welcomed into the people’s houses. They invited her to eat at their table and warm herself by their fire. (Simmons, 2001)

Story is a thin place. Writer Mary DeMuth says this about such a place:

The Celts define a thin place as a place where heaven and the physical world collide, one of those serendipitous territories where eternity and the mundane meet. Thin describes the membrane between the two worlds, like a piece of vellum, where we see a holy glimpse of the eternal—not in digital clarity, but clear enough to discern what lies beyond. (DeMuth, 2010)

When we hear a good story—one that reveals Truth with a capital “T”, the holy comes close. You’ve felt that, haven’t you? After reading a good book, seeing a movie that makes you cry, or watching someone you know live a courageous story. It touches a place deep inside. And God is there.

 

The above is a modified excerpt from my book, Playdates with God: Having a Childlike Faith in a Grown-up World, copyright 2014. Used with permission from Leafwood Publishers, an imprint of Abilene Christian University Press. All rights reserved. In the next few weeks, I’ll be posting some thoughts on play and featuring excerpts from my book in honor of Play it Forward, the workshop Laura Brown and I will be teaching this spring and summer. If you want to rev up your creative life, play is one tool that works! Read more about our workshop here, and feel free to ask me any questions you might have. 

Eucatastrophe: More Than A Happy Ending

We’ve been living the thang, friends, and time hasn’t waited for me to pause, even for a quick hello. So, here’s a Merry Christmas and a Happy New Year and an excerpt from my book Playdates with God: Having a Childlike Faith in a Grown Up World. Enjoy, and may 2017 hold many wonders for you and your loved ones!

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On the day after New Year’s Day I strip all the beds in the house. The laundry room floor is covered with sheets and pillowcases and mattress pads and I am thinking about the clean slate. Somehow I can’t stand to think of our dreaming being done in last year’s dirt—little bits of skin and dog hair and lint littering up the sleeping.

I stand in the doorway with bedclothes billowing and I see that the dirt of life—the dirt of my life—is a very robust thing. We do what we can to write our stories well, to live a good dream, but there is always the stuff of life—the unforeseen interruptions, the distractions, the dirt of everyday necessities.

No matter what I dream, the sheets will still need washing.

Yesterday was J.R.R. Tolkien’s birthday and in honor of one of our favorite storytellers, I wanted to have a party. But our youngest had percussion practice after school and his brother had to tutor some classmates and it was cold and night came early and my body hurt from the New Year’s resolutions and a fall down some stairs. So my firstborn and I took Lucy Mae for a walk in the dark instead and I dressed her in a leopard print sweater. At least the dog would be dressed for celebration.

The evening walk is a heart exercise and especially in the cover of night it seems our senses are tuned to the eternal. Each step has a way of loosing the strings that knot us up in what we can see. I feel around inside of him with questions and he smiles more readily than usual and we walk slowly—even in the cold. On this night, I am thinking about how we enjoyed The Hobbit recently and I remember how Tolkien coined this term eucatastrophe.

Wikipedia tells me that he “formed the word by affixing the Greek prefix eu, meaning good, to catastrophe, the word traditionally used in classically-inspired literary criticism to refer to the “unraveling” or conclusion of a drama’s plot.

To me, eucatastrophe sounds like the happy ending, but to Tolkien, it meant more. It’s the way the hero’s fate is tied up in the entire story—it’s redemption in the end that the telling was building up to. It’s the happy ending only deeper.

Tolkien saw “the Incarnation as the eucatastrophe of human history and the Resurrection the eucatastrophe of the Incarnation,” Wikipedia goes on to say.

And I think about the stories he wrote, how they embodied this term eucatastrophe, and I wonder how my life can do the same. How am I living my life that leads this story to the great Eucatastrophe?

I am likely never to face trolls, or orcs, or goblins. I probably won’t be on a quest upon which rests the fate of earth as we know it. But there is always the dirt of life that rears up against me—threatens to waylay this hero from the happy ending.

Am I able to carry this ring?

I smooth down the edges of sheets and fluff pillows into plump resting places. It feels good, this clean slate. But one thing I know—one thing I’ve learned from Bilbo and Frodo and Gandalf and life … the journey is a continuous series of stops and starts. There are joy days and dream days and good storytelling. But there are also interruptions, frustrations, and the dirt of life. I must choose which parts of the story will define me. What makes a good story?

Andrew Stanton, the writer of the three “Toy Story” movies and other animated masterpieces, says it well in his TED talk The Clues to a Great Story:

I walked out of there [the movie Bambi at age five] wide-eyed with wonder. And that’s what I think the magic ingredient is—the secret sauce—can you invoke wonder? Wonder is honest, it’s completely innocent, it can’t be artificially evoked. For me, there’s no greater ability than the gift of another human being giving you that feeling. To hold them still just for a brief moment in their day and have them surrender to wonder. When it’s tapped, the affirmation of being alive, it reaches you almost at a cellular level…the best stories invoke wonder.”

Isn’t the best play the one that tells a good story? The play that evokes wonder? And shouldn’t we be doing this with our lives?

I will keep pressing forward, writing these pages. Because I already know how that eucatastrophe will unfold. I already know the happy ending. And it is steeped in wonder.

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The above is a modified excerpt from Laura’s book, Playdates with God: Having a Childlike Faith in a Grown-up World, copyright 2014. Used with permission from Leafwood Publishers, an imprint of Abilene Christian University Press. All rights reserved.

West Virginia Morning: Hidden (and a giveaway)

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‘As if you could kill time without injuring eternity,’ Thoreau wrote. You don’t want to kill time but to welcome it, to pick off its leaves and petals one by one, second by second.” ~Frédéric Gros, A Philosophy of Walking

It’s the time of year when I can’t go outside without getting caught in a spider web. I no sooner walk out in the yard and I am wrapped in bands of light, clawing at my face and limbs to wipe off the sticky threads. I cannot be irritated, though, for the spider has long held my admiration. What beauty she gives us on these dewy mornings. This is the best time to go out and see—star shards left behind in the night, captured in the silken webs.

I found her hiding place this morning while filling the finch feeders. Black oil sunflower seeds dropped down plastic tubes and out of the corner of my eye I saw the morning breeze exhale across silken threads. One does not usually get to enjoy such artwork before sunrise so I padded over to gawk, wet grass clinging to bare feet.

She wasn’t home but I made myself comfortable anyway, let my eyes linger on light-studded gossamer as a cardinal complained noisily in a nearby tree.

There it was again—faint ripple in the design and as the toile-work lifted and fell it was as if an invisible string joined my soul to its gentle rise. In your light, we see light, the Psalm I read this morning said, and I can feel eternity stir inside of me—the place that beauty always touches.

Things are changing around here. Teddy decided not to come home this weekend for fall break and the emptiness of these rooms echoes deep in my heart. I wonder what he is doing with his time, long for a text that says more than, “hi,” feel this new kind of mothering like being caught in a spiderweb. Flailing.  But there is something else, too, in this restless season. The fire of expectation burns the empty into promise. The earth models for us how to handle these transitions with grace and my hungry eyes seek its tutelage. Autumn whispers on the edges of the days and last night I noticed the fireflies have finally made themselves scarce.

“From now on we lose two minutes of daylight every day,” my friend Frankie told me yesterday at work. “And in November, we lose an hour.”

Later today I will pull up my ramshackle beans, what’s left of the tomatoes and squash. Then I will plant the fall crop of greens. I texted my mother-in-law this morning, “Am I too late?” And she said, no, there is still time.

As I wait for the spider to appear, the sun burns off the morning dew. I feel time move over me—my shoulders, my neck, the curve of my cheek. I have a million things to do today, my only day off from the day job. It’s like that, I try to crowd too much into this one small gap of time. And yet, here I stand, lost in the wonder of a light-studded web.

An allowance for unbridled joy through playdates with God on Sabbath can provide the same result as a quiet, meditative retreat.” Shelly Miller says, in her lovely new book Rhythms of Rest: Finding the Spirit of Sabbath in a Busy World. “Extravagant wastefulness with time might prove the most productive thing you choose for yourself.”

As I read her words I am feeling seen, for the first time in a long time, perhaps. And I know this tender ache of missing my boy is something beautiful, something to be celebrated, just as is the coming of light each day.

Slowly, sweetly, the light saturates the morning, and my unseen spider friend’s hiding place becomes invisible once again.

To celebrate my friend Shelly’s new book release, I’m giving away a copy of Rhythms of Rest: Finding the Spirit of Sabbath in a Busy World. I’m also including a copy of my book Playdates with God: Having a Childlike Faith in a Grown-up World, which Shelly so graciously quotes in Rhythms of Rest. But wait! There’s more. Also included in the gift pack is a copy of Francine Rivers’ new devotional Earth Psalms: Reflections on How God Speaks Through Nature.  Simply leave a comment for a chance to win. I’ll announce the winner Wednesday, Oct. 12.

This post is a partial reprint from the archives.

On Sleeping Trees and Sabbath-Keeping

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Last week I read an article about a study that indicates trees may actually sleep at night. Scientists have discovered that from about two hours after sunset to right before sunrise, a sample of trees studied drooped their branches and leaves about four inches in a posture of rest.

The researchers hypothesize that this droop is either caused by a loss of water pressure inside the trees due to the absence of photosynthesis at night (turgor pressure), or they speculate, trees may have a natural circadian rhythm—just as humans do. That means, the tree was designed to need rest.

Apparently, and this is something I’ve not given much thought to but it makes perfect sense, circadian rhythms in plant life are well documented and known. But until recently, we haven’t had the technology to study a plant as large as a tree.

Why does it surprise me that science is discovering how much of creation has a built in need for rest?  I read about the drooping trees at a time when I am struggling to find more rest in my life. This morning, to remind myself how I have managed this in the past, I re-read the chapter on Sabbath from my book Playdates with God. I thought I’d share a tiny portion of that chapter here—a gift reminder for me and for you.

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I remember long afternoons under the shade of the apple tree—cooling our tongues with the juice of green apples, drifting in and out as the sun played chiaroscuro over eyelids. And I remember the scent of summer rain through open windows as my little brother and I lay whispering on my bed—waiting for our bodies and minds to drift into our afternoon nap.

Rest.

As I gently touch these memories with the finger of my heart, a pit of longing wells up inside of me and I wonder, when did I forget the way the slowing down leads me into the arms of the Father?

My Jewish friends would not be surprised at this tender ache that pulses inside of me. “You are missing the keeping of Sabbath,” one tells me. “Your life is too busy. How can you hear the voice of God amidst all that noise?” He believes this longing for rest is built deep into my spirit; he believes God put it there. Indeed, Judith Shulevitz in her book The Sabbath World, tells us, “[A]t the core of Sabbath lies an unassuageable longing…”

It is a longing, she goes on to say, for something that is unattainable. For, in this fallen world we live in exile—separated from a perfect union with God or with one another. Yet, in Sabbath-keeping we experience a foretaste of God’s kingdom to come.

…  And so I began to sit with the longing. I started small—Sabbath moments. With each setting sun I would gather a bit of the day together at its edges and be still. Light a candle, play some music, contemplate beauty, and meditate on the pure and lovely things in my life.

These moments took me back under the apple tree—looking up through the branches at the clouds moving slowly across the sky. And I felt the promise of new life; the hunger was sated for just those short moments.

The rabbis speak of the additional soul that is granted on the eve of the Sabbath—the neshamah yeterah. In his beautiful book The Sabbath, Abraham Joshua Heschel says, “Neshamah yeterah means additional spirit. It is usually translated ‘additional soul’…Some thinkers took the term neshamah yeterah as a figurative expression for increased spirituality or ease and comfort. Others believed that an actual spiritual entity, a second soul, becomes embodied in man on the seventh day…”

This is a soul which is all perfection, he says, and when the Sabbath day is over, this soul ascends once again into the heavens from which it came.

I do not know about such things. But when I remember those Sabbath moments from my youth—and when I capture them now in this old skin—I am tempted to receive this rich lore into my heart. For, those moments are counted the sweetest in my mind and are perhaps the closest to perfection I will ever come.

**This excerpt is reprinted with the permission of Leafwood Publishers, an imprint of Abilene Christian University Press.